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If you’re using more than one LFO, AHDSR, MSEG and Step Sequencer note the ‘Current’ number parameter, which lets you step between the different iterations (like LFO1 and LFO2, for example).Īs evident on many of the presets, the Step Sequencer is a great way of adding movement and animation into your Alchemy patches, especially when you combine multiple track lanes and clever parameter routing. The programmable modulation sources (including the LFOs, AHDSR, MSEG and Step Sequencer) can all be accessed using tabs in the modulation area. Handily, this also provides a visual indication of how the depth interacts with the ‘base-level’, often reminding you to lower a parameter so it can be modulated correctly. Reduce the depth control, for example, and the band shrinks, having less of an impact on the destination parameter. What’s particularly useful is the orange banding that wraps around the selected parameter, which gives you an idea of the amount of modulation being applied. Simply click on the drop-down menu and you can select a modulation source from the comprehensive list. Adjust the filter cutoff, for example, and you’ll see Filter 1 Cutoff appear as a target in the modulation section.
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Mod Heaven To keep its operation intuitive, Alchemy’s modulation routing system works on a ‘last control touched’ principle.
#Alchemy logic pro x tutorial generator#
What makes Alchemy an exciting proposition is both the wealth of modulation sources available – including a Multi-stage Envelope Generator (MSEG) and Step Sequencer among all the usual Envelopes and LFOs – and the fact that they can be routed to any parameter within the synth. Modulation, of course, is the point at which any synthesizer starts to get interesting – mapping a variety of modulation sources (like envelopes and LFOs) through to any number of controls within the synthesizer. In the walkthrough (starting opposite), we’ll take a look at one example that creates a hybrid pad sound routing a single oscillator to two filters running in low-pass and band-pass modes respectively. You can also route the four oscillators so that they address either Filter 1 or 2, making it possible to create some unique hybrid effects.
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The output of the oscillators is then passed on to two multimode filters, which can work in either parallel or serial configuration, before being passed to the amplifier. In VA mode, the four sources can each be assigned a variety of starting waveshapes, including the classic Sawtooth, Pulse and Square as well as a variety of more esoteric, harmonically-complex waveshapes. We start with four Sources (in Alchemy-speak) that form our four oscillators – A, B, C and D. VA Basics Thanks to a clear and intuitive interface, the basic principles of VA synthesis on Alchemy are easy to understand. While it might not be as immediate an instrument as Retro Synth, the sheer dexterity and sonic power of Alchemy’s VA engine is well worth closer inspection. At its heart, however, Alchemy has a surprisingly easy-to-use virtual analogue (VA) synthesis engine, capable of producing many of the distinctive synthesizer sounds we’re used to hearing on a Moog, ARP or classic Roland synthesizer.
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By the end of this course you will be able to understand fully what each tool does in Logic Pro X Alchemy.

An by extension many other synthesis tools. So its no wonder you might open up a synth like ALchemy in Logic Pro X and feel overwhelmed at all the controls, We are going to change that with this Alchemy Synthesis Masterclass in Logic Pro X What we're going to do together in this course is take your from kind of knowing what each tool does in Alchemy. Synthesis techniques are a different to mixing music or playing an instrument. FANTASTiC | 29 January 2022 | 1.16 GB Synthesis is a essential part of modern music production and can be a hard process.
